Different strokes, indeed: a font this strange could only be the work of our old friend, A. Bardi. Basically, the font takes a contrarian approach to the typical Deco thick/thin stroke treatment, such as one would find in a font like Broadway. Where you might expect thick strokes, there are thin strokes, and vice-versa. The result is a font with unusual coloring and a certain je ne sais quoi (translated as âbeats the heck outta meâ).
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By using or installing this font data, you (or you on behalf of your employer) agree to be bound by the terms of this Agreement. This Agreement constitutes the complete agreement between you and Nick's Fonts.
YOU MAY:
-Send a copy of any Nick's Fonts font data along with your documents to a commercial printer or other service bureau to enable the editing or printing of your document.
-Use this font data to embed fonts within PostScript files or PDF files for distribution, viewing, and imaging to third parties.
-Use this font for personal projects or for projects for which you are paid including, but not limited to, artwork, logotypes, personalized apparel, word art and web graphics.
YOU MAY NOT:
-Modify, adapt, translate, reverse engineer, decompile, disassemble or create derivative works based on the Nick's Fonts font data without Nick's Fonts's prior written consent.
-Sell this font data AS FONT DATA to a third party under any circumstances including, but not limited to, rubber-stamp alphabets, die-cut alphabets, rub-on alphabets, or digitized fonts for embroidery. NICK'S FONTS SHALL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL OR INCIDENTAL DAMAGES ARISING OUT OF THE USE OF OR INABILITY TO USE THE NICK'S FONTS FONT DATA
Copyright (c) 1999, 2006 Nick Curtis. All Rights Reserved. Distributed under the 1001Fonts Free For Commercial Use License (FFC) http://www.1001fonts.com/licenses/ffc.html - PayPal donations in any amount may be made at nicksfonts.com.
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